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A Statement from the Young Vic - 20 March 2020

Following UK government advice, we have now made the difficult decision to cancel our current production of Nora and postpone our upcoming productions of Orfeus and Conundrum. LIFT Festival has also cancelled their 2020 festival, which includes our co-production of The Second Woman.

We ask that you please bear with our small but brilliant Welcome Team as they deal with a huge number of ticket holders for the above shows.

As a charity, we rely on ticket sales for a substantial portion of our income, and the insecurity ahead is a huge worry for those who work for and with us, as it is for the theatre sector as a whole. Therefore - if you can afford to - please consider donating the price of your ticket, or another amount however large or small, to the Young Vic.

DONATE HERE

Woman with running mascara
5 Feb 2020 - 21 Mar 2020

A Young Vic and Citizens Theatre co-production

Nora: A Doll's House

A radical new version of Henrik Ibsen’s play by Stef Smith
Directed by Elizabeth Freestone

Monday - Saturday: 7.30pm

Wednesday & Saturday Matinees: 2.30pm

Running time: Approximately 1 hour and 45 minutes with no interval

Relaxed performance Thursday 19 March 2020 7.30pm

Is the performance you want sold out?
Try our Ticketing Tips

£10, £20, £32, £43

Previews: (5-10 Feb) £10, £15, £20, £25

 

Main House

The health and wellbeing of our audiences and staff will always be our priority. On Saturday 14 March, both performances of Nora: A Doll’s House were cancelled as a precaution. We have since made the difficult decision to cancel all remaining performances of Nora. Although the performances are cancelled, the Young Vic building, box office and The Cut bar are set to remain open.

We thank the Nora company for their extraordinary collaboration in bringing this show to our stage. We are immensely proud of the production and everyone who contributed to it.

We will do everything we can to support our ecosystem of artists, staff, partners and community, many of whom are freelance, during this unprecedented time. As a charity, we rely on ticket sales for a substantial portion of our income, and the uncertainty ahead is a huge worry for those who work for and with us, as it is for the theatre sector as a whole.

Therefore - if you can afford to - please consider donating the price of your ticket, or another amount however large or small, to the Young Vic, to help us get through this period.

We apologise for any disappointment caused for those expecting to see the final performances of Nora this week. We would like to thank everyone in advance for their understanding, and please ask that you bear with our small but wonderful Welcome Team, as they process exchanges, credit notes or donations for ticket holders of the cancelled performances. If you are a ticket holder for the cancelled Nora performances, you will receive an email from the Young Vic Welcome Team within the next 48hrs with further information.

At the heart of the Young Vic is the mission of serving our community.

We will continue with this mission, in whatever way we can, over the coming weeks.

- The Young Vic

 

Writer Stef Smith

Director Elizabeth Freestone

Designer Tom Piper

Lighting Designer Lee Curran

Composer & Sound Designer Michael John McCarthy 

Movement Director EJ Boyle

Fight Director Kev McCurdy

Vocal Coach Jeannette Nelson

Casting Director Sophie Parrott CDG

Jerwood Assistant Director Júlia Levai

Boris Karloff Trainee Assistant Director Simonne Mason 

With Mark Arends, Natalie KlamarLuke Norris, Amaka Okafor, Anna Russell-Martin, Zephryn Taitte

‘An intelligent, probing approach… Revealing’. - Financial Times

‘A bold Ibsen reworking’. - The Telegraph

‘Stef Smith’s innovative reworking’. - Metro

‘A clever, pointed riff on Ibsen’. - Evening Standard

‘A poetic, ambitious take on Ibsen's play’. – The Stage

‘An intense, ambitious survey of women’s shifting roles’. - Time Out

‘A cleverly interlocking production by Elizabeth Freestone’. - Daily Mail

‘Elizabeth Freestone’s production is choreographed like clockwork’. - The Observer

Audio described performance 3 Mar, 7.30pm

Captioned performance 12 Mar, 7.30pm

Relaxed performance 19 Mar, 7.30pm

Click here to visit our Access page.

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